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Notes -
The classical era was very short, typically starting with the death of Bach (1750) and ending with Beethoven's 3rd (1803). Lipinski would be a romantic composer, almost certainly, while Ornstein was more avant-garde. Listen to the piece you linked, there's little classical about it. This isn't just pedantry: if I asked you to play classical music, I'd accept romantic, even impressionistic, but this Allegro Barbaro, or the more famous one would barely count. I'd be upset if you played Schoenberg or Berg, because they aren't classical at all. God forbid you play Penderecki, I'd revoke your aux cable privileges.
Similarly, I'd be surprised if you played Zefiro Torna, because Monteverdi was too early to be Classical, or even Baroque.
Classical, or rather neoclassical, would be Stravinsky's Sonata for Two Pianos (I like the 2nd movement best), but not his Rite of Spring (linked elsewhere).
I am quite partial to Beethoven 5, but my favorite part isn't in the fantastic first movement, it's the transition from movement 3 to 4, and the recap of the same within m.4. There's nothing quite like landing on that C Major arpeggio in the full, glorious triumph or the brass section.
I'll suggest two pieces I haven't yet seen, from one composer you've heard of in the neoclassical style, and one you probably haven't that's either neoromantic or minimalist, depending on your tastes.
Stravinsky - Pulcinella Suite
Vladimir Martynov - Come In!
Seriously, check out Martynov's work. I can't recommend it enough.
One more minimalmist piece from the 21st century, Ludovico Einaudi - Fly. Another from Eric Whitacre, Cloudburst.
Most of this, but not all, is from my 20th century music history notes. I can transcribe the listening list later if there's interest.
Like it or not, the term "classical" has become the term used to describe all music that emanates from the European art tradition, from Gregorian Chant to John Cage and beyond. Several other terms to describe this overarching meta-genre have been proposed, but none have really stuck. Art Music and Legitimate Music come with the implication that other kinds of music are somehow of lesser value, and can be confusing to the general public. Professor Feinberg from the Great Courses Series uses the term European Concert Music, which is probably the best term from a purely semantic point of view (it comes from Europe, was intended to be performed publicly rather than privately [as with folk music], and doesn't contain any implied superiority), but it's a mouthful and hasn't been widely adopted. Furthermore, the term "classical" has also been widely used to describe music that comes out of similar traditions from other parts of the world, e.g. Indian Classical Music or Chinese Classical Music.
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Indeed, it is "classical". Those are load bearing quotation marks!
Gladly!
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I think you’re confusing the Classical Period of classical music with classical music as an overarching genre. The latter encompasses everything from Gregorian chant to John Williams.
If I asked for Romantic music, or Impressionist music, or Avant Garde music, or Baroque music, I would be asking for music from those periods.
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