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Notes -
To better generate political accusations against political opponents while deflecting accusations of behavioral comparisons on aesthetic dis-similarity are certainly solid reasons, but they are not good reasons.
It certainly doesn't have much to do with protecting the rights and liberties of the individual, hence why the antibodies are about aesthetics and not practices such as government attitudes towards political-opposition speech (including use of organized political violence and ostracism to intimidate bystanders into non-resistance), political structure dynamics (incredibly strong governmental influence on private commercial actors to leverage nominally independent entities as tools of the state), social engineering at the race-composition level.
Moreover, it is and was particularly important that the cultural antibodies be against Nazi aesthetics, as opposed to the aesthetics of anyone who shared in Nazi-behavior, because during the Cold War when those antibodies were developed antibodies against behavior-aesthetics instead of Nazi-aesthetics would have implicated a not-inconsiderable portion of the Soviet-sympathizing socialist-leaning classes, who were significant influences in the cultural-antibody process and many of which whom still keep their Communist-derived aesthetics.
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