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Culture War Roundup for the week of December 9, 2024

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Sometimes I think back to my own childhood watching G.I. Joe and Transformers, wondering if there were sneaky bit of propaganda snuck into them.

Did you ever recognize what was snuck into Scooby Doo?

TV networks, because they reach so many people, are always being sued and/or protested, often over things you could never imagine would create problems. Most of the time, the network position is defensible and the outrage falls into the "nuisance" category…but even nuisance suits and protests can be a nuisance. And expensive to defend against. In kids' television, the stakes seem higher. A protester yelling, "This show is poisoning our children" will usually get more traction than someone bitching about a show for general audiences. The sponsors of kidvid are especially frail and known to atomize over very little negative feedback.

Censorship of broadcast television has declined greatly in the era of HBO, Showtime and DVDs…but in the early eighties, if you were creating a show for CBS, NBC or ABC you usually found yourself in the following dilemma. You had to please the Programming People who bought the show and prayed for ratings. They wanted your program to be edgy and sexy and full of action and excitement. And then you had to please the Standards and Practices People. They wanted your show to be nice and quiet and non-controversial. The two divisions rarely spoke with one another. In fact, in some cases, they hated each other too much to converse. Either way, they fought their battles by playing tug-o'-war with you and your show.

We quarrelled often and usually unproductively with these folks over what we called "action" and they called "violence." Sometimes, their definitions were insane. You'd write a scene where the good guy grabbed the fleeing bad guy and held onto him until the police could arrive and the Broadcast Standards people would react like your hero had chopped off someone's head. Criminals could rob banks and cops could stop them but neither could brandish weapons. One time, a writer friend did a script (a pretty good script, I thought) where the climax depended on the hero cutting a rope at a precise moment. The hero, it had been established, was a former Boy Scout…so my friend had the hero whip out his Boy Scout pocket knife and use it to cut the rope.

Well, that couldn't be allowed. Encouraging children to carry knives, even though the Boy Scouts do? You might as well have them packing howitzers and blowing bodies away on the playgrounds of America. There was much arguing and the scene ended up being staged with the rope being cut by the edge of a sharp rock, which was just silly. The rope was being used to lower a car. Given how sturdy it would have to be to do that, it was already stretching reality for it to be cuttable with a pocket knife. A sharp rock was ridiculous.

At times though, the bickering went beyond Broadcast Standards trying to prevent the network from being sued or having its advertisers shrink from advertising. Every so often, someone there got it into their heads that childrens' television could mold the youth of today into the good citizens of tomorrow. That's a questionable premise but let's say it's so. The question then becomes what you teach, how you mold. I found that those who approached the arena with that in mind had some odd ideas of what we should be trying to impart to impressionable viewers. Acts of extreme violence — like carrying a pocket knife — weren't as big a problem as what they called "anti-social behavior" and what I called "having a mind of your own."

Broadcast Standards — at all three networks at various times — frowned on characters not operating in lockstep with everyone thinking and doing as their peers did. The group is always right. The one kid who doesn't want to do what everyone else does is always wrong. (I rant more on this topic, and show you a cartoon I wrote years later for another show just to vent, in this posting.)

Scrappy Doo was intended, as per his name, to be scrappy — scrappy and feisty and in many ways, the opposite of his Uncle Scooby. Faced with an alleged ghost, Scooby Doo would dive under an area rug and you'd see the contours of his doggie ass shivering with fear beneath it. Scrappy, as I wrote him in his first script, would go the other route: He'd say, "Lemme at him" and go charging after the bogus spirit of the week.

Shortly after the last of many recordings of "The Mark of the Scarab" (that first script), it dawned on ABC Broadcast Standards that maybe Scrappy was a bad role model for the kiddos. He was — and one person in that department actually used this term to me — "too independent."

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That said, I'm not exactly against a cartoon talking up our national values... or at least our national values circa the 80's and 90's. I guess now that our "national values" are that children should choose their own gender, and if you disagree the government should take them from you and facilitate them sterilizing and mutilating themselves I feel significantly differently about it. But then again, that takes for granted the illusion of consensus control of the institutions granted trans activist. All the same...

This strikes me as a possible rationalization for retro-future genre IPs, like the Fallout Series.

In the Fallout universe, why might the 2077 USA have embraced the cultural aesthetics and appearances of the 1960s? Well, the story is very vague about what happened in the century between WW2 and the Great War that led to the nuclear apocalypse...