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PaperclipPerfector  24d ago (text post)   34276 thread views

Culture War Roundup for the week of October 28, 2024

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My point is not that having lived experience will lead you to have a more accurate picture of how the world works. I'm saying that if you have lived experience of X, if you're writing a book about X, then all things being equal it will probably sound more convincing than a book about X written by someone who has never experienced X firsthand.

Could a novel written by an underprivileged black youth about his experiences growing up in the hood contribute to a progressive's erroneous impression that unprovoked police shootings of unarmed black men are widespread? Sure. But all things being equal, I would expect such a novel to be a lot more affecting and convincing than a novel on the same topic written by a creative writing MFA from a wealthy family who's never even set foot in the hood.

If you want to, say, write a book that deals with the historical connections between contemporary wokeism and Stalinism, or maybe the French Revolution - you're going to need to read other books for that.

Sure, but even having broadly comparable lived experience might be more beneficial to the creative process than just pure research. The experience of fighting a battle in Baghdad in 2003 is unlike the experience of fighting a battle in the Somme in 1916, but I would expect that the two experiences have far more in common with each other than they have with the experience of sitting in a warm cottage with a pot of tea reading a book about the battle of the Somme.

I'm saying that if you have lived experience of X, if you're writing a book about X, then all things being equal it will probably sound more convincing than a book about X written by someone who has never experienced X firsthand.

This depends on the readers. If both the writer and readers have experience in X, then the readers can recognize things from their own experience in the written work, and thus think it is realistic. But it could also happen that the writer has experience in X and the readers have none, and the reality of X is so far removed from the readers' own experience that they find a realistic depiction of X unbelievable.

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