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Notes -
And a huge part of that context is that they were writing in French. About half the time one of the OG continentals appears to be spewing word salad in English translation, it turns out that the original French is relying on a pun or allusion that didn't survive translation. But the industry of Anglosphere "pomo" that was inspired by continental philosophy (but mostly lives in English departments) is mostly staffed by mediocre scholars who only read Foucault and Derrida in translation and think that the word salad is the point.
An easy-to-explain example is Roland Barthes' Death of the Author. Reading it in translation, the connection between the "author" who is dying and an auteur-director in visual media is not obvious, and the dismissal of fiction-writers as mere "scriptors" is incomprehensible. But in the French, the auteur who is dying in the literary world and the auteur who is triumphant behind the camera are one and the same word. The weak form of Barthes' claim is "JRR Tolkien can't be an auteur in the way Peter Jackson is because the experience of reading Lord of the Rings is co-created between author and reader in a way that the experience of watching a movie isn't" and the strong form (which Barthes does endorse) is that JRR Tolkien has no more input to the experience of reading Lord of the Rings than a screenwriter does to a movie, and have you heard the one about the starlet so dumb she slept with the writer?
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