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Of course they looked at the bosom, and of course Susanna was painted with temptation in mind. But that is what makes it so intelligent, no? You identify either with Susanna, the virtuous woman about to be wrongfully propositioned, or you identify with the status exemplars, about to use their high status to impugn a virtuous woman. You want this kind of association seared in your mind, that when you consider lust you remember the near-tragedy of Susanna and the righteousness of God. Art wasn’t divorced from the religious culture at the time, so everyone knew the story of Susanna and Daniel. It’s not like today where it’s just a vague story you need to pull from the recesses of your mind. It would have been brought up half a dozen times a year in sermons, made a special lesson in school, made an allusion in high class conversations. You have Handel writing operas about it and Mozart riffing his character in Figaro off her. It’s casually mentioned in Shakespeare and 1001 Nights. It’s anachronistic to interpret the nude as just a nude.
And consider: some of the best of these paintings were commissioned by queens and bishops. And if you were a wealthy aristocrat with your own painter, you could just have him paint a nude that doesn’t have such a looming moral threat above it. For pure nudes, just request the Greek nymphs or something else, right? They would essentially be cursing themselves / giving themselves bad vibes by purposefully commissioning Susanna just for her nudity when there were hundreds of different ways to procure a nude scene. But I guess the modern person would excuse all this and say that the queen was a lesbian and the bishop was horny.
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