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Notes -
Who is the 'you' in this paragraph?
Isn't the popularity of Susanna bathing, as a subject of art, significantly attributable to artists themselves wanting to produce it? And isn't that desire also largely explicable by the fact that it's a very sexy scene? I'm not sure we need a big explanation for why painters were very enthusiastic about painting an attractive woman in the nude. It seems a popular theme in general.
The You was the Church, or if not, a wealthy religious aristocratic. The Past wasn’t so naive as to leave artists to their own devices. Eg
But again, what’s great about the scene is that the artist must identify with the men sneaking a look at Susanna in a story that completely rebuffs lust and perfidy. It trains the moral immune system of all involved, the artist especially. I like to think this is a semi-conscious “social technology” rather than an accident.
...does it? Does it really train any kind of 'moral immune system'?
It seems to me that it falls into the same category as, say, Lady Godiva and Peeping Tom, in that obviously the whole appeal of the story is the naked lady, and the moral is tacked on as an afterthought. The villainous elder is a convenient excuse for the artist to say that it's not really pornographic, even though that is obviously the appeal. There were ways depict a naked Susanna in ways that are not sensually or erotically appealing - but that is clearly not what happened in the case of Renaissance art. The beauty of the woman is quite clearly the point.
It's the pre-modern equivalent of, say, all those mid-century films about Nero or Caligulua, which delighted in titillating the viewer with detailed depictions of orgies and sex and murder, and then had the fig leaf of condemnation at the end where the hedonistic emperors are overthrown and virtue triumphs. But we all know what the real appeal is.
I would caution you not to take the fig leaf too seriously. I suggest that the quite-literally-naked eroticism of the Susanna story is central to its artistic appeal. The fact that there's a vague sort of moral cover for it (it's biblical! it condemns the behaviour!) is convenient, but to suggest that the entire theme is a subversion of libido seems quite breathtakingly naive, to me.
I notice also in your post a skepticism of '[leaving] artists to their own devices'. Even setting aside the way you reify 'The Past', I don't see any particular reason to think that commissioners of this art necessarily had high and virtuous motives. That's just a small handful of examples, and are we really so naive as to believe that bishops and nephews of popes in the Middle Ages of Renaissance were free of venal interests? It may be true that some artists are just horny and lack any concern for morality - but the same strikes me as true of nobles and church officials.
To be clear, I am not asserting that every single depiction of Susanna bathing is pornographic. On the contrary, I think that many of those depictions have artistic merit, and are often very well-composed and striking, or sometimes, as you say, subversive in their implications. But I assert that the enduring popularity of Susanna's bath as an artistic theme has something to do with its eroticism, in a way that goes beyond mere subversion.
Or more crassly: rich people from centuries in the past still liked to look at boobs.
Of course they looked at the bosom, and of course Susanna was painted with temptation in mind. But that is what makes it so intelligent, no? You identify either with Susanna, the virtuous woman about to be wrongfully propositioned, or you identify with the status exemplars, about to use their high status to impugn a virtuous woman. You want this kind of association seared in your mind, that when you consider lust you remember the near-tragedy of Susanna and the righteousness of God. Art wasn’t divorced from the religious culture at the time, so everyone knew the story of Susanna and Daniel. It’s not like today where it’s just a vague story you need to pull from the recesses of your mind. It would have been brought up half a dozen times a year in sermons, made a special lesson in school, made an allusion in high class conversations. You have Handel writing operas about it and Mozart riffing his character in Figaro off her. It’s casually mentioned in Shakespeare and 1001 Nights. It’s anachronistic to interpret the nude as just a nude.
And consider: some of the best of these paintings were commissioned by queens and bishops. And if you were a wealthy aristocrat with your own painter, you could just have him paint a nude that doesn’t have such a looming moral threat above it. For pure nudes, just request the Greek nymphs or something else, right? They would essentially be cursing themselves / giving themselves bad vibes by purposefully commissioning Susanna just for her nudity when there were hundreds of different ways to procure a nude scene. But I guess the modern person would excuse all this and say that the queen was a lesbian and the bishop was horny.
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