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PaperclipPerfector  1mo ago (text post)   27342 thread views

Culture War Roundup for the week of May 13, 2024

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That was a beautiful and erudite post. Thank you for sharing.

As late as the 18th century, there was still a case to be made that China was the most powerful and prosperous nation on the planet

I believe that, excepting nuclear weapons, China is currently the most powerful nation on the planet. It's true that the western nations are in general more creative but this is offset by China's higher population, higher IQ, and higher diligence. In 2024, China produces most of the things that matter.

So, if China was ahead before, and they are ahead now, what happened in the meantime?

My answer: The Industrial Revolution was unique. Productivity increased at an extremely high pace for 200 years. In this brief, high-growth environment Western creativity dominated over Chinese diligence. But this period of history appears to have ended. Growth has slowed in the West, allowing China to catch and even surpass the West in many key areas.

Caveat: AI is a major wildcard.

I guess part of my point is that it seems to be that the traits we assign to each group are heavily influenced by the location wer'e starting from and the particular questions we want answered. The top-level comment here is interested in black-white relations, so the dynamic he zeroes in on is mature/neotenous, with wild/domesticated as a secondary factor. Lu Jiamin is interested in Chinese/European relations, so he focuses on a different dynamic - wild/tame, or steppe/agrarian, or something else entirely. It's also, I think, very noticeable which qualities of different groups he thinks are revealing. Diet appears to be important to Lu, but I don't notice any of the Western HBD types mentioning diet. Presumably diet comes into it because his binary is to do with agrarians (eating grains, weaving clothes from plant fibers, etc.) with nomads, hunters, and pastoralists (eating meat and dairy, wearing clothes made from fur and wool, etc.), but it also seems like for him diet is one facet of a broader lifestyle that also involves political and cultural practices (e.g. women's rights, parliamentary democracy), and for that matter economics. He thinks that a free market and a competition of equals is paradigmatic of the Wolf peoples, whereas Chinese communism, implicitly, is another form of the 'Dragon King' to which the Chinese people bow. The stereotypically Chinese/Dragon way is to have a tremendously powerful central authority that coordinates all economic and social activity, on a strict hierarchical lines, and to which the people meekly submit - the CCP is structurally the same as the emperor.

This seems especially interesting to me because Lu doesn't try to reduce it to a single factor, like genetics or descent. I notice in the top-level comment here (and in the usual comments of our local racialists) a very reductive approach, trying to find the one controlling factor. For Lu, it seems to be a complex - genetics play a role, but so does culture, education, political structure, economic structure, and so on. Thus Lu maintains some hope that it might be possible to teach the Chinese to understand or respect wolves (indeed one of the central themes of the novel is a lament for the dying grassland), to teach them to preserve the grasslands they are destroying, to discover the secret of the West, and form a kind of hybrid. There is a kind of fusion. By the end of the story, the wolf cub that Chen Zhen has raised dies, and they skin the wolf's pelt and tie it to a pole, like a flag:

A fierce northwestern wind sent the cub’s pelt soaring, combing through his battle garb and making him appear to be dressed formally for a banquet in heaven. Pale smoke rising from the yurt’s chimney wafted under the pelt, making it seem as if the cub were riding the clouds, roiling and dancing freely and happily in the misty smoke. At that moment, there was no chain around his neck and no narrow, confining prison under his feet.

Chen’s vacant gaze followed the impish, lifelike figure of the cub’s pelt as it danced in the wind; it was the undying outer shell the cub had left behind, but the beautiful and commanding figure seemed to still contain his free and unyielding spirit. Suddenly, the long, tubular body and bushy tail rolled a few times like a flying dragon, soaring in the swirling snow and drifting clouds. The wind howled and the white hair flew. The cub, like a golden flying dragon, rode the clouds and mist, traveling on snow and wind, soaring happily toward Tengger, to the star Sirius, to the free universe in space, to the place where all the souls of Mongolian wolves that had died in battles over the millennia congregated.

At that instant, Chen Zhen believed he saw his very own wolf totem.

By the end, the wolf has become a dragon, soaring through the air towards heaven, and Chen, one of the dragon people, has found his own wolf's soul.

(And then the grasslands are destroyed, because the Chinese government is terrible, and both the wild wolves of the region and the last nomadic herders die out. Boo!)

So there's something more to it than just under-resourced speculations about population genetics. (Indeed, the genetic part is one of the weakest parts of Wolf Totem, and can feel like a self-hating Chinese person's recapitulation of some kind of Aryan thesis.) There's more than one factor here - there are chances to learn.

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