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comicsansstein


				

				

				
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joined 2022 September 05 14:05:12 UTC

				

User ID: 582

comicsansstein


				
				
				

				
0 followers   follows 0 users   joined 2022 September 05 14:05:12 UTC

					

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User ID: 582

The trick is to spend a lot of time theorycrafting outlandish ideas, so that when somebody asks an out-there question you have a ready fully baked take instead of coming up with one on the spot. The downside is that it's slowly making you insane and unable to carry a normal political conversation because you jump to faraway conclusions ;)

Yep, that's the one. By the way, if anyone has a better, more mainstream source to read up on the history of AIDS crisis, I'm all ears.

Such a technology would be a perfect wedge for the trans community as it exists today. It would split the people who just want to have a different body and then move on with their lives from the people who want to always and forever be a markedly different counterculture. The latter would have to resort some nonbinary or fully posthuman neoforms to keep their unique status. Think Gibson's Tessier-Ashpool, Herbert's Harkonnen, Fading Suns' Decados, Lem's 21st Journey of Ijon Tichy. They wouldn't have existing category of people to base their status claims on. I love it.

I distinctly remember seeing a twitter thread in which a gay relationship advisor (that's bracketed (g (r a)), not ((g r) a), mind you ;) ) wrote that the religious were right, it was a slippery slope, and it's a good thing that it was. @TracingWoodgrains, help me out, I remember you conversing with that guy.

When I was much younger, the transformation of Poland into a free market democracy and reactions to it by the communist party remnants (turned social democrats) was quite fresh in my memory. I thought that leftists hate Reagan because he presided over the victory of capitalist America over the communist vision of the world.

Then I got fluent in English language and eventually American politics, and learned about many policies of Reagan that were quite disastrous, like kicking The War On Drugs up a notch. I thought then that leftists hate Reagan because he gutted the welfare state, broke a major strike (air controllers) and left the gays out to die.

These days I think that many of the things that Reagan was blamed for were inevitable, or rather that they were symptoms of larger trends not influenced that much by the presidency - that stagflation was the result of forsaking atom, and so the American civilization's capacity to generate energy stopped growing (I don't remember the details, but I remember seeing a group of charts that suggested that energy prices and capacity over the centuries are the answer to "why did everything started going to hell in the 70s"). And after reading the Salo thread, I don't believe that a Dem president would make a difference w/r/t AIDS - the public sympathy just wasn't there yet for this to get major funding, that required decades of positive propaganda. No funding means that PrEP isn't developed, which means that mostly nothing can be done.

(The viable solution would be to go full authoritarian and shut down the bathhouses, but no American president would do that. I think that for example in the USSR less gays per capita died of AIDS, mostly because homosexuality was much more seriously persecuted and so they had, ahem, less opportunities to get infected. That's some heavy duty tragic irony.)

Also, seeing people talk about Late Stage Capitalism I'm kinda back to thinking that many leftists do in fact have unprocessed grief over the collapse of the USSR and a miserable failure of their imagined future. Mark Fischer pretty much made an entire sub-school of thought out of that grief. And so they hate Reagan because he is the face of the triumph over their future.

I tried to limit myself to the last decade, because that's when the complaining and metacomplaining really started.

I think Rian Johnson did in the end consider making the hero of the story a white man a bit of a mistake, and the beginning of Glass Onion is partially an attempt to recitfy it.

(Blanc is revealed to be gay. So he's still whate, still male, but he's not all bad, see?)

Do you know what was widely enjoyed by male audiences, with positive reviews, fond memories, and enough cultural cachet to spawn respectful memes and callbacks?

Jean Claude Van Damme movies

This is a vague statement about things from a quarter-century ago which sounds plausible and yet doesn't provide specific examples and so falls apart when you try to think about anything to back it up, a technique mastered by tumblr's Prokopetz.

(Wait... that's David Prokopetz... are you...?)

There is one Van Damme movie that still has any cultural relevance, and it's Street Fighter, and that is mostly because of a exceptional performance by the late Raul Julia. Nobody cares about Timecop, or Bloodsport, or Double something, or whatever else JCVD was up to in the 90s.

Today's equivalent of Van Damme movies are Jason Statham movies, and those are hardly the cultural juggernauts.

But a lot of similarly brainless beat-em-up action movies have been released with women leads over the years, often with better objective craft and quality overall, and male audiences have generally rejected all of them.

Once again, no examples. Let's try to provide some on our own, then.

2016, Ghostbusters - everything I've seen about this one leads me to believe that it's just not an engaging movie, with the plot strung together from unfunny improv sketches. The same would be true for a male-led movie, the level of contemporary standup and sketch comedy is just abysmal, SNL's material is so bad that being worth even a mild chuckle is a once-or-twice-a-year exception.

2017, Atomic Blonde - I'll give the screenwriters one thing, they understood that for the "female James Bond" to make sense the character needs to be at least bi, or otherwise the dynamic falls apart. Other that that and a nice Blue Monday remix, pretty boring movie. The villain had barely any sensible motivation, and the acclaimed oner action scene was a bit of form over function. Want to see a good oner? Watch the first 10 or so minutes of Climax.

2019, Birds of Prey, or a Fantabulous etc. etc. - Well this one was at least engaging. It was, however, absolutely murdered by marketing (title change), and was a followup to a flop, so it was dead on arrival. Again, the villain was a bit of a strawman, but at least there was scenery to chew. If you want female-led movies, I saw Underwater on the same day as this one and I liked it much better.

2019, Captain Marvel - this this the one that's usually talked about, isn't it? And it even made pretty enough money, I think? At that point, the MCU has been running for almost 11years, so people got tired of yet another origin story, an the main character is a flying brick whose only solution to a problem is "moar hand lazers", so the action scenes were so-so. Plus there was a weird undercurrent of... revanchism and spite in the marketing and interviews, so that would be a turnoff for the people who were on the fence (that last point is also true to a lesser degree for Ghostbusters and BoP, and to a greater degree for Battlefield V, a non-movie exmaple).

Black Widow, The Marvels - sorry, we're past the endgame, audiences are tired, everythings flopping now, Ant-Man flopped too.

Charlie's Angels - this one is was just straight up bad.

But all that enumeration in unnecessary in the face of the more important point - if I want to see a female-led and female-centric movie, I can just go see Portrait de la jeune fille en feu (shame that one of the lead actresses has quit acting since), I don't owe it to anyone to watch mediocre derivative capeshit. I don't watch Jason Statham movies either.

The argument in a nutshell is: HBD -- they are poor because they are stupid; whereas the mainstream position is that they are stupid because they are poor and discriminated against both presently and historically.

I don't think that's the mainstream position. I think the mainstream position is a series of concentric lines of defense.

The first line of defense is "how dare you!?". The point and sputter, as Sailer calls it. An attempt to dissuade the opponent from even breaching the subject of whether different people have different aptitude, without addressing it. Might involve siccing the mods on the opponent, or arguing that Something Must Be Done abut the fact that such a discussion can even take place, on sites where mods aren't available or sympathetic (i.e. twitter).

The second line is to deny that measurement is possible, i.e. IQ denial. Expect deflections about multiple intelligences or street smarts here. Doesn't withstand much scrutiny but is still more a more poplar stance than you'd expect.

The two-and-a-half is to acknowledge that individual differences exist, but group differences don't or are irrelevant. Lewontin may be invoked.

Only after those we're approaching what you postulated as the mainstream position. Even then, the primary focus will be on present oppression, i.e. it will be argued that the result in education continue to diverge because the black students are underfunded or otherwise discriminated against. Only then, after it's shown that funding is often negatively correlated with test scores, it may be admitted that inherent group differences exist. Very cautiously and tacitly, as it may get the admitting party into hot water from the people who stopped at layer one.

I don't use cloud saves for photos not because of privacy, but because I'm afraid that inevitably due to an error on either side an empty folder is going to get synced the wrong way and I'll lose five years' worth of photos. As for music, movies, and ebooks: lol lmao, as if I'm going to vendor-lock myself to a single storefront.

Generally speaking, I think the hypothetical seems unappealing to a straight man because the kind of woman who would agree to this kind of scenario can, with high probability, turn your life into a nightmare.

I am a very weird person so my feelings probably don't generalize, but for as long as I've remembered I've had the feeling of getting the implicit signal that "high" art is not for me.

Specifically, I've felt that one's supposed to interact with high art with preconceived notions of what's good and what's not, with the actual act of viewing/reading/listening to something being a bit of an afterthought. You're supposed to like the things that have been declared Good and Worthy, with little room for discussion. I'll take people slinging their personal flaming uninformed opinions about the latest vidya with great fervor over that consensus-driven stagnation every day.

Incidentally, there were attempt to bring that top-down consensus "its Art and it's Good" enforcement to the world of video games, but they failed miserably. Remember The Path, Graveyard, and Bientot l'ete? The auteurs that made them eventually quit game development after having a meltdown about the uncultured gamers. Meanwhile, people like Daniel Mullins prove that you can be high-concept without ghettoizing yourself.

The business justification is that he current CEO of Unity formerly occupied a high position in Electronic Arts, and suggested that the publishers should experiment with e.g. charging players for reloading their guns past some point in a gameplay session, when they highly price-insensitive.

Single-player, paid (as in, you pay for them once) games are a rounding error to this kind of a business-brained person. The pricing was made with Genshin Impact in mind, in an attempt to extract more money from Mihoyo (sp?). In a mobile world of freemium games, using "installation" as a measure makes more sense because accounts are revenues are usually tied to that.

See my other comment - I'd say that they are not superficial, but fanfic writers engage "across" the media, not "with" the media.

My impression w/r/t fanfiction is that it runs kinda "orthogonally" to being a fan of a specific franchise: people doing it are fans of a specific modes of expression and specific story tropes, and they move across franchises an communities squashing the characters as they're actually written into their preferred archetypes, AUs and story beats. (As opposed, in the other extreme, to an obsessive curator on a spectrum who spend time cataloguing all eleventy gazillion kinds of spaceships that appeared tn the screen for 5 seconds in one episode in 1974.)

The publishing model of contemporary "young adult" book series and netflix shows seems to cater to such audience. I see it on my sister-in-law's tumblr - every other month there are new gifs with a new cast of completely interchangeable Blorbos, and the show inevitable won't be renewed for the 3rd season, but it doesn't matter, the viewers did their share of shipping and moved on. These days the viewers/readers don't even have to hallucinate homosexuality like they did in the case of Kirk, Frodo or Steve Rogers - the shows come with the batteries included, so to say.

Idk, I'm quite fond of refrigerators and dishwashers myself.

Do you believe the reports of mass repression happening in the Xinjiang region in the past decade+ to be exaggerated or fabricated from whole cloth? Do you expect a random Chinese expat (?) to have accurate knowledge about the inner workings of her country, and to share that knowledge publicly?

It's June 4th tomorrow, why don't you ask her about that on Monday to calibrate how much she's willing to say about China's recent history.

To be honest, I just jumped at the opportunity to speak about something I have first-hand experience with, for a change ;)

Somebody, representing "Polish fandom", even started a petition to rescind the invitation.

The letter/petition was issued by the Union of Polish Fandom Associations, i.e. a council of representatives from various cities' fadom organizations that has supervises the organization of Polcon conventions and the Janusz A. Zajdel Award. If someone has had their hand in organizing a non-manga convention in Poland in the past 20 years, they're probably one handshake from the letter's issuers. If one's been to a non-manga convention in Poland in the past 20 years, probably less than three handshakes away. So, I'd say that the claim to representation is accurate.

(I've been at the council meeting where a draft of that letter was first (?) proposed)

It's what TVTropers of yore called a self-demonstrating example, I believe.

I am not necessarily against copyright in its entirety. I am against DMCA, Sonny Bono act, etc. etc. and I am excited for the blighted Mouse to start slipping from under copyright at the end of this year (250 days left as of today!). I think a base of ~7 years, with possible exponentially costed extensions, would be a good enough solution.

I don't pirate games - I probably would if I were more of a retro player, but these days I have over 800 titles on steam, and that would probably last me multiple lifetimes on its own. I don't pirate books - I have a library within walking distance, and I read less than I'd like to so I have a substantial reading backlog as well. I sometimes pirate movies, because I decide on what I want to see first, and only then check if it's on netflix, and pirate otherwise. I think this one is a generational divide, with most people younger than me launching $STREAMING_SERVICE first and then browsing and deciding. Which brings me to my main point: presentism.

A significant part of our shared culture, mostly form the XXth century, is under assault by a baptist and bootlegger coalition. The bootleggers are the megacorp copyright holders and streaming owners: Disney, Netflix, etc. They want you to not care about the things that are old, because the might have unprofitable or tangled licences for it. They want you to view Current Thing only, because that's how they make most of their profits. Don't ask questions, get attached to the brand not the specific story, consume product.

The baptists are the culture warriors. Sensitivity readers who strangle books in the crib. People who lobby for some Dr Seuss books removed from circulation, for Roald Dahl books to get bowdlerized. People who get into translating Japanese media to try to oust the current western anime audience from it. Simpsons episode getting removed because Michael Jackson had a minor voice role. And so on and so forth. The baptist wants you to watch and read only the Current Thing because only the Current Thing has the correct amount of representation, of course only until it's supplanted by the next Current Thing.

(And sometimes people get worse due to sheer incompetence, like old TV series getting cropped and zoomed in to fit widescreen, because someone along the chain of command thinks that zoomers will die of confusion if they encounter letterboxing).

With that in mind, even if pirates have ulterior motives, they offer a valuable service to the culture: media preservation in the face of encroaching censorship. If you don't want your children to live in eternal Year Zero of culture war full of extruded movielike product that makes current MCU look like Bergman, you should probably buy persistent physical media and/or pirate too.

Oh okay, I consider 4K to be a meme and never looked into any tech adjacent to it, which explains why I haven't heard of this. Still bad for the future, I guess, but not immediately concerning.

Can you elaborate on the HD signal?

In 1939 Eastern Bloc was formed during the Molotov–Ribbentrop Pact with Nazi Germany. This possibly saved those countries from a worse fate.

As long as you weren't a Jew but an ethnic Pole, being invaded by USSR was the worse fate, both in 1939 (Katyń, to name one thing) and in the last phase of the war when the "liberating" red army was marching westward, raping and pillaging to its heart's content (estimating the number of rapes during that time in hundreds of thousands is possibly lowballing it, about 9% of the Polish population had syphilis after the war).